
Release Date : Jul 14, 2010 Wide Genre Movie :Art House & International,Drama
Mpaa Rating : G
Actors :Jorge Machado,Natan Machado Palombini,Nestor Marin,Roberta Palombini
A young boy and his father learn about living in harmony with nature in this languid drama from filmmaker Pedro Gonzalez-Rubio. A man from Mexico (Jorge Machado) travels to Italy and falls in love with a beautiful local woman (Roberta Palombini). Their feelings for one another are strong, but they prove to be short lived, and when they decide to beak up after the birth of their son Natan, he returns to Mexico while she stays in Italy and takes primary custody of the child. However, the father strives to remain a presence in his son's life, and the boy visits his father at least once a year. As the five-year-old Natan travels to Mexico, his father has joined the family' fishing operation near the coral reefs of Banco Chinchorro. Living in an elevated cottage near the shore, Natan and his family devote their summer to an idyllic existence, spending their days catching the plentiful fish and observing the wildlife, and their nights sitting by the fire and admiring the stars. To the father, this simple life teaches an important lesson of existing in peace with the natural world, and Natan comes to see himself as being as much a part of this environment as the fish, the waterfowl and the seaweed. Alamar (aka To The Sea) was the first solo directorial credit for cinematographer Pedro Gonzalez-Rubio. ~ Mark Deming, Rovi
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User Ranting Movie Alamar (To the Sea) : 4User Percentage For Alamar (To the Sea) : 83 %
User Count Like for Alamar (To the Sea) : 951
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So little is said on any subject that we're free to make our own conclusions about the world Natan inhabits.Linda Barnard-Toronto Star
"Alamar" takes a lyrical approach to a story about father-son bonding in the tropics. It's as sketchy as it is beautiful.
John Hartl-Seattle Times
It is to González-Rubio's credit that he can celebrate nature so joyously, yet suggest neither the preferred lifestyle of either parent is superior to the other.
Kevin Thomas-Los Angeles Times
As much home movie as neorealist non-narrative, Alamar provides a nearly hypnotic immersion in the brilliantly aqua, impossibly tranquil Caribbean -- a Paradise Regained not just for Natan but for everyone.
J. Hoberman-L.A. Weekly
Moving but never sentimental, ambient but rigorously focused, this is an assured, refreshingly simple film where the dramas and responsibilities of parenthood exist inside a bubble of blissed-out tropicalia.
David Jenkins-Time Out
Pedro González-Rubio takes the viewer on a leisurely journey through the timeless ritual of catching and cleaning fish, and the natural progression of paternal love over the course of a few days.
Loren King-Boston Globe
At its best, Alamar affirms that the "patient, meditative" film or the stylistic exercise is far less of a cinema pestilence than emotionally cynical works like Life During Wartime.
Nicolas Rapold-Film Comment Magazine
Alamar is a slow, beautiful meditation on nature, family and the relationship between father and son.
Liz Braun-Jam! Movies
It's hard to tell whether this line has been scripted or captured, but it packs an emotional punch all the same.
Adam Nayman-eye WEEKLY
An extraordinary portrait of a positive and meaningful father-son relationship that touches the heart.
Frederic and Mary Ann Brussat-Spirituality and Practice
A beautifully shot and carefully nuanced look at the forging of a bond between a father and a son.
Ian Buckwalter-DCist
The opposite of stimulating storytelling: It's a pseudo-vacation.
Tricia Olszewski-Washington City Paper
Mexico's Alamar arrives like a breath of fresh air reminding us of cinema's potential for simple and elegant beauty.
Beth Accomando-KPBS.org
Magical portrait of one five-year-old's summer with his fisherman father
Marty Mapes-Movie Habit
Even with the cast playing themselves and a good premise, the idea to script only some of the film ends up creating a series of disconnected sequences.
Katina Vangopoulos-Moviedex
A remarkably pure cinema experience, not just because it's about selfless parental devotion but because the film itself has been stripped down to the basics.
Robert W. Butler-Kansas City Star
The film does a good job of suggesting that this will be a likely outcome, yet it seems curiously uninterested in providing anything other than a rather one-sided view of this relationship.
Alistair Harkness-Scotsman
A slow-burn that shows us connections between what's real
Jeff Meyers-Metro Times (Detroit, MI)
Magic realism in the purest, simplest sense.
Nigel Andrews-Financial Times
An immensely charming movie.
-Daily Express
Beautifully shot, relentlessly minimalist and deceptively simple drama that's by turns fascinating and quietly moving.
Matthew Turner-ViewLondon
This slight and picturesque faux-documentary is like a family photo album brought to life.
Anthony Quinn-Independent
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