
Release Date : Jan 7, 2011 Limited Genre Movie :Drama,Art House & International,Comedy
Mpaa Rating : Unrated
Actors :Elia Suleiman,Saleh Bakri,Samar Qudha Tanus,Shafika Bajjali,Tarek Qubti,Zuhair Abu Hanna,Ayman Espanioli,Bilal Zidani,Leila Muammar,Yasmine Haj,Amer Hlehel,Nina Jarjoura,George Khleifi,Ali Suliman
An intimate semi-biographical portrait of Palestinians living as a minority in their own homeland between 1948 and the present day, from the acclaimed director of DIVINE INTERVENTION. --- (C) IFC Unrated
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User Ranting Movie The Time That Remains : 3.4User Percentage For The Time That Remains : 68 %
User Count Like for The Time That Remains : 7,485
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Suleiman takes the approach of gentle observer, neither condoning nor confronting -- not violently, at least. Start with humor and perhaps empathy will follow.Peter Howell-Toronto Star
Living in a part of the world where politics, and the pursuit of politics by warring means, are the rule, director Elia Suleiman is the exception.
Rick Groen-Globe and Mail
Despite its abundance of deadpan and absurdist humor, "The Time That Remains," a look at the Arab-Israeli conflict from a Palestinian perspective, was clearly made with a sorrowful heart.
Walter V. Addiego-San Francisco Chronicle
Suleiman's obvious gift for cinema makes you wish that in connecting so personally with his past, he'd occasionally reach out to the audience, too.
Adam Markovitz-Entertainment Weekly
To keep a steady gaze, the film suggests, is not just a virtue but a form of orderly protest, when your world is breaking apart.
Anthony Lane-New Yorker
A welcome example of kitsch wedded to serious indictment: Who knew that high-school screenings of Spartacus had such insidious purpose?
Joshua Rothkopf-Time Out New York
...a missed opportunity of nigh epic proportions...
David Nusair-Reel Film Reviews
Deadpan, non-reactive characters inhabit the formally elegant, beautifully lensed and mostly static compositions that grace this movie about a hot subject that more often inspires heated, passionate, noisy debate.
John Beifuss-Commercial Appeal (Memphis, TN)
The Time That Remains, Elia Suleiman's six decade-spanning speculative remembrance, brings a bleakly comic sensibility -- as well as an insider's perspective -- to 60 turbulent years of Israeli-Palestinian conflict.
Andrew Schenker-House Next Door
Throughout, Suleiman contemplates how much has changed in his homeland since the Israeli declaration of independence in 1948, and how the natives have tried to maintain some continuity.
Noel Murray-AV Club
Elia Suleiman is among the few living filmmakers to employ slapstick comedy in his work, and the only one to politicize it.
Eric Kohn-indieWIRE
If technique grows wearisome, still the rapid-fire, dry, visual vignettes do not obscure the picture of a community that cannot find its way.
Donald J. Levit-ReelTalk Movie Reviews
[S]emi-autobiographical trilogy of Palestinian family's experiences from '48. . .culminates in. . .epic storytelling, with maturity and sorrow to match his now gray hair.
Nora Lee Mandel-Film-Forward.com
One of the many simple conceits of Elia Suleiman's film is the way in which one man's silence becomes a metaphor for an entire nation's.
Aaron Cutler-Slant Magazine
The formalism Suleiman employs here provides a unique emotional entry point into the Palestinian dilemma, one that uses static shot composition and humor to clarify and comment, not to generate cheap laughs.
Mark Keizer-Boxoffice Magazine
The silence of the character played by director Elia Suleiman lends the role a kind of invisibility that seems meant as an analogy to his view of the Arab presence in Israel. He's present, yet absent.
Ian Buckwalter-NPR.org
Family saga set against the backdrop of Israeli occupation has its moments, but suffers from a certain monotony in its direction.
David Noh-Film Journal International
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Movie Overview For The Time That Remains
An examination of the creation of the state of Israel in 1948 through to the present day.[Synopsis from the director, courtesy of Cannes Film Festival] : "The Time That Remains" is a semi biographic film, in four historic episodes, about a family--my family--spanning from 1948, until recent times. The film is inspired by my fatherâs diaries of his personal accounts, starting from when he was a resistant fighter in 1948, and by my motherâs letters to family members who were forced to leave the country since then. Combined with my intimate memories of them and with them, the film attempts to portray the daily life of those Palestinians who remained in their land and were labeled "Israeli-Arabs," living as a minority in their own homeland.
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